About Harvey Reid...
Songwriter, multi-instrumentalist and music educator Harvey Reid has honed
his craft since the late 1970's in countless clubs, festivals, streetcorners,
cafes, schools and concert halls across the nation. He has been called a "giant
of the steel strings" and "one of the true treaures of American acoustic
music," and is considered to be one of the modern masters and innovators of the acoustic guitar, autoharp and 6-string banjo. He has absorbed a vast repertoire of American contemporary and roots
music and woven it into his own colorful, personal and distinctive style. His
32 recordings on Woodpecker Records showcase his mastery of many instruments and
styles of acoustic music, from hip folk to slashing slide guitar blues to bluegrass,
old-time, Celtic, ragtime, and even classical.
Reid's skills and versatility
on the guitar alone mark him as an important voice and one of the deepest artists in acoustic music. He won
the 1981 National Fingerpicking Guitar Competition and the 1982 International
Autoharp competition. Yet he's also a veteran musician with a long list of studio
and band credits, a strong flatpicker who has won Bill Monroe's Beanblossom bluegrass guitar
contest, a versatile and engaging singer, a powerful lyricist, prolific composer,
arranger and songwriter, a solid mandolin, mandocello and bouzouki player, and a seasoned
performer and captivating entertainer.
Reid started playing guitar in his early
teens in Maryland, and fell in with the now-legendary DC-area bluegrass
scene. After street-fiddling and playing old-time and bluegrass music for close
to 9 years, he moved into his van in the late 1970's and began pursuing solo acoustic
songs & instrumental music, primarily fingerstyle acoustic guitar and autoharp.
After stints in a bluegrass band in Colorado, playing Telecaster in a country
band in Virginia, and a winter in Nashville, Reid migrated to Northern New England,
playing 5 nights a week on the "blue-collar" folk circuit in Maine and
New Hampshire, while developing his own personal blend of American acoustic music.
Although Reid has been somewhat reclusive, his reputation as a musician's
musician has spread far and wide. Even though he is not associated with any record labels
or hype machinery, his music is having an impact--he was included on the
Rhino Records Acoustic Music of the 90's CD, and his Steel Drivin' Man
CD was voted by Acoustic Guitar Magazine as one of the Top 10 Folk
CD's of All Time, in company with Woody Guthrie, Joan Baez and other hallowed names. His music appeared on the blockbuster
BBC television series Billy Connolly's World Tour of Scotland. He has been a featured act at
many of America's premier concert clubs and festivals, including Merlefest, the Newport Folk Festival, the
Telluride Bluegrass Festival and the Walnut Valley Festival. Radio DJ's and critics
nationwide have discovered his remarkable recordings.
Reid has also
made his mark on the acoustic music world in other ways. He is responsible for
most of what is known about the partial capo, developed all of the popular partial-capo
configurations in use today, (including the Esus) was the first to record and
publish music for partial capo. In 1980 he co-founded the Third Hand Capo Co.
Also in 1980 he wrote the first college textbook for folk guitar, titled Modern
Folk Guitar, published by Random House. Reid probably published the first desktop-published book (in 1980) and may have even been the first acoustic independent
musician to make a CD. He was certainly was among the first to make all-digital recordings,
and helped usher in the new era of "indie" recording with a series
of articles he wrote for acoustic music magazines. He was also the first artist
to endorse Taylor Guitars, and began doing promotion for them in 1983.
Reid's success "under the radar" has become a role model for a large
number of young, independent musicians who want to pursue their careers outside
the music industry.
Reid's ground-breaking new series of Capo Voodoo books and recordings are the definitive guides to the fascinating world of partial capos, and his unveiling of the Liberty guitar tuning in 2014 marks an important new discovery in the guitar fingerboard and a landmark in guitar education. Reid is currently finishing a very ambitious series of music education projects that now includes almost 30 books, including the definitive chord books for guitar, banjo, DADGAD tuning, Orkney tuning, octave mandolin, baritone ukulele and mandocello.
Don't miss a chance to hear
the Master Minstrel in concert or to hear his amazing recordings. He how has two young children, and is not traveling very
much these days. He can often be found performing in York, Maine.
Musical Biography of Harvey Reid
the true treasures of American acoustic music ." ACOUSTIC GUITAR MAGAZINE
is truly a giant of the steel strings...wonderful twists of originality and emotional
depth... a wealth of techniques and ideas." GUITAR PLAYER MAGAZINE.
Reid is a one-man history of acoustic music." The Missoulian
folk-style artist deserving of wider popular recognition... Unlike some virtuosos,
he brings wit and panache as well as technique to his music." BOSTON GLOBE
"...Reid dazzles an audience with an array of stringed weapons."
"An incredible solo guitarist.... Reid
plays mandolin, funky slide guitar blues, ethereal 12-string and scorching electric
with equal authority; and the best part is, he's really fun."
This web site
concerns the music and life of acoustic musician Harvey Reid.
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