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ARTISTRY OF THE 6-STRING BANJO ORDER IT NOW

FALL 1995
Renowned acoustic instrumentalist and songwriter Harvey Reid has released his 11th solo album on Woodpecker Records, a collection of 21 pieces played on 6 &12-string banjo. Artistry of the 6-String Banjo is the first album ever devoted entirely to this instrument, and may prove to be the definitive one. From Scott Joplin to old-timey to Bach to blues, jigs and rags, flamenco and Chuck Berry-style riffs, Reid puts this instrument through its paces and demonstrates once and for all that the 6-string banjo is a real instrument with its own techniques and repertoire.

The 6-string banjo, essentially a guitar neck on a banjo body, has existed in a small corner of the music world for over a century, never having become either popular or rare. The instrument has been made sporadically by various man ers over the years, and is one of many members of the banjo family; the 5-string being the most common, fol lowed by the 4-string (used in Dixieland and Celtic music), plus a number of unusual bass, baritone, ukelele and mandolin-banjos.

Reid says "Playing the 6-string banjo it is not simply a matter of playing guitar music to get a different sound, since it responds very differently than a guitar. It seems to frustrate both banjo players and guitar players, who can't seem to make it sound like either instrument. Though the 6-string is often ignored as a mutant hybrid, I find it to be an alive, subtle, sensitive and expressive instrument with many voices, capable of expressing the various moods of classiccal, folk, old-time, bluegrass, celtic, ragtime, blues, and even rock & roll music. I have been constantly surprised by what music works well on it, and also by what doesn't."

Artistry of the 6-String Banjo
showcases Reid's arrangements of traditional pieces as well as his own compositions, and in cludes 3 cuts with 12-string banjo (*), including a slide blues, 4 selections he has previously recorded on guitar, as well as 7 written for the banjo. Reid attributes his success with this instrument to his 25 years playing fingerstyle & flatpicked guitar, bluegrass, blues and Celtic music, his invention of the use of a partial capo on guitar to achieve drone effects similar to a 5-string banjo, and to the re-design of the instrument by Deering Banjos of Lemon Grove, CA.

Artistry of the 6-String Banjo is catalog #110, available in CD (retail $16.95) and cassette ($12.95) by mail, phone, fax, e-mail (orders@woodpecker.com) and from specialty stores nationwide. In quire about dealer and distributor pricing. [add $1 per item for mail order shipping in US and Canada] Harvey's other 8 recordings are also available at the same pricing.

SELECTIONS:
The Entertainer, Jesse James, The Gaoler's Jig*, Six-Shooter Stomp, Minuet In G, Mock Orange, The Sailor's Hornpipe, Sitting On Top Of The World*, Rickett's Hornpipe/Boys From Bluehill, Bill Bailey, Andelusia Revisited, Suite: For The Duchess, Old Black Joe, Good For Nothin' Blues, Chanoyu, Cindy/Cripple Creek, Bonaparte Crossing The Rhine*, Pieces Of Eight, Canal Street Strut, The Cuckoo, The Unknown Soldier
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for more information about Harvey's 6-String Banjo (he plays an MB6 Maple Blossom), contact

Deering Banjos
3733 Kenora Dr Spring Valley, CA, 91977-1829 800-845-7791 619-464-8252 fax: 619-464-0833

EMAIL DEERING BANJOS: info@deeringbanjos.com

http://www.deeringbanjos.com

WOODPECKER RECORDS
PO Box 815 York Maine 03909  USA
phone (207) 363-1886 • 707-471-5891 fax


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